Tag: full-size

Unlocking a tough scene with a clean-slate rewrite

Unlocking a tough scene with a clean-slate rewrite

[ 0 ] June 7, 2016 |

Last week’s revisions were the hardest I’ve faced in a while on my work in progress, a middle grade novel that’s my first full-length fantasy. The scene where the very real world meets the magical just wasn’t working, but thanks to some great reading recommendations from twitter (I especially loved Anne Ursu’s BREADCRUMBS), plus some back-to-the-drawing-board scene […]

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Review: Emma Shevah’s MG comedy Dara Palmer’s Major Drama

Review: Emma Shevah’s MG comedy Dara Palmer’s Major Drama

[ 0 ] May 22, 2016 |

I’m a sucker for theatrical kids, and it was obvious from the start that Dara Palmer, star of Emma Shevah’s DARA PALMER’S MAJOR DRAMA, wouldn’t disappoint. Eleven-year-old Dara is a born star; it’s just that no one around her has recognised this yet. Passed over repeatedly for starring roles in the school play, Dara ever-so-reluctantly joins the director’s after-school acting class at the local theatre and ever-so-gradually learns that she has a lot to learn about this acting thing…which is not, evidently, based around how many faces she can pull.

If you loved Tim Federle’s BETTER NATE THAN EVER books, you’ll love the Dara story, not least because there’s a heavy dose of heart-warming self-discovery as Dara’s eyes open to other things beyond what makes a good actor.

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Your story can make a great story

Your story can make a great story

[ 0 ] April 20, 2016 |

I shouldn’t be blogging when this is my only clear morning to work on novel revisions, but yesterday’s twitter pitch contest aimed at increasing the diversity in children’s literature has me thinking thoughts that are crowding out everything else. #DVpit, the brainchild of New York literary agent Beth Phelan, took over twitter yesterday, encouraging writers […]

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Plot, structure, death, death and more death

Plot, structure, death, death and more death

[ 0 ] February 21, 2016 |

I’m fixated on plot and structure at the moment – you may be, too, if you’re a writer tackling revisions on a work in progress or a NaNoWriMo draft from last year.

This year, for the first time, I’m editing a manuscript that I’ve left for a long, long rest. I wrote it more than a year ago. I’ve never let a first draft sit for so long before.

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How I got my agent and what nearly stopped me

How I got my agent and what nearly stopped me

[ 32 ] December 30, 2015 |

I’ve vacillated about whether to record this journey, as it may be the most personal thing I’ve written yet, but all things considered, I think it’s best to capture the story of how I signed with a literary agent, and the fear that almost stopped me.

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Big Sur Children’s Writing Workshop means a big leap forward

Big Sur Children’s Writing Workshop means a big leap forward

[ 3 ] December 9, 2015 |

Having re-discovered the astounding wonder of a full night’s sleep, I’m determined to catch a few insights from the Big Sur Children’s Writing Workshop I just attended in California, while they’re still fresh. But if you read no further, read this: it’s a workshop you will love if you’re serious about a career in children’s writing.

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Pitching a story is a life skill for writers

Pitching a story is a life skill for writers

[ 16 ] November 23, 2015 |

Here’s something I had no clue how to do a year ago: briefly tell someone about the story I’d written in a way that makes the listener want to read it. But last weekend I won a SCBWI pitching contest where I had to stand up live on stage and pitch my story to a panel of top literary agents, in front of a capacity auditorium. It’s been interesting getting from A to B, and I’ll try to explain a bit of that journey here.

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Authors on submission – how to survive the waiting game

Authors on submission – how to survive the waiting game

[ 7 ] October 10, 2014 |

Earlier this year I participated in the marvelous BookBound UK retreat, a tutoring scheme for promising, unpublished children’s writers. Many of us from BookBound, and many more of my SCBWI friends who attended the popular Agents Party, are currently on submission with our manuscripts, so I thought it might be time for a sensible blog about being sensible.

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How to get the best from a critique

How to get the best from a critique

[ 6 ] October 1, 2014 |

Critiquing is never comfortable for a writer. Your ego and your dreams for the manuscript are on the line when you pass your work-in-progress to another person and ask for constructive feedback. But it’s a necessary evil – and, if you think about it, it’s not evil at all. Critiques are the route to making your story as clear and compelling as it can be. And that’s what you want, right?

‘Getting the best from critiques’” was the topic of our teach-in here at SCBWI Southeast Scotland on 27 September in Edinburgh. Click here to read the tips we swapped.

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Barry Cunningham’s tips on strong beginnings in children’s books

Barry Cunningham’s tips on strong beginnings in children’s books

[ 0 ] March 19, 2014 |

Here’s a summary of an exclusive Twitter chat hosted by SCBWI British Isles with Barry Cunningham of Chicken House, answering writers’ questions on what makes a strong chapter 1 in a children’s book.

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