Tag: SCBWI Southeast Scotland

Plot, structure, death, death and more death

Plot, structure, death, death and more death

[ 0 ] February 21, 2016 |

I’m fixated on plot and structure at the moment – you may be, too, if you’re a writer tackling revisions on a work in progress or a NaNoWriMo draft from last year.

This year, for the first time, I’m editing a manuscript that I’ve left for a long, long rest. I wrote it more than a year ago. I’ve never let a first draft sit for so long before.

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How I got my agent and what nearly stopped me

How I got my agent and what nearly stopped me

[ 32 ] December 30, 2015 |

I’ve vacillated about whether to record this journey, as it may be the most personal thing I’ve written yet, but all things considered, I think it’s best to capture the story of how I signed with a literary agent, and the fear that almost stopped me.

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How to get the best from a critique

How to get the best from a critique

[ 6 ] October 1, 2014 |

Critiquing is never comfortable for a writer. Your ego and your dreams for the manuscript are on the line when you pass your work-in-progress to another person and ask for constructive feedback. But it’s a necessary evil – and, if you think about it, it’s not evil at all. Critiques are the route to making your story as clear and compelling as it can be. And that’s what you want, right?

‘Getting the best from critiques’” was the topic of our teach-in here at SCBWI Southeast Scotland on 27 September in Edinburgh. Click here to read the tips we swapped.

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Barry Cunningham’s tips on strong beginnings in children’s books

Barry Cunningham’s tips on strong beginnings in children’s books

[ 0 ] March 19, 2014 |

Here’s a summary of an exclusive Twitter chat hosted by SCBWI British Isles with Barry Cunningham of Chicken House, answering writers’ questions on what makes a strong chapter 1 in a children’s book.

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